Ebrahim Alkazi: Directing Art

Ebrahim Alkazi: Directing Art acknowledges Alkazi’s lifelong commitment to modern and contemporary art in India through his establishment of Art Heritage gallery and an art journal in New Delhi. Drawing from his experience as the fi rst Director of the National School of Drama, how does he arrive at innovative modes of curating modern art and envisaging the public? Realizing quite early in his career that art writing was germane to art reception, Alkazi edited a journal for four decades from 1977 onwards; its early years coinciding with the politically tumultuous period of the Emergency. Featuring essays by and conversations with leading practitioners and art historians, Directing Art places Alkazi’s contribution within a historical as well as critical context. If Amal Allana reveals Alkazi’s twin passion for modern theatre and art through a familial narrative, Yashodhara Dalmia underlines his contribution to the public reception for modern art. Focusing on Bombay, Shukla Sawant looks beyond the English speaking elite audience, towards the vernacular one which continued to underpin Alkazi’s understanding of the community at large. Devika Singh revisits the post-Independence Indian art scene to contextualize the emergence of Art Heritage and Akansha Rastogi explores the history of art exhibitions curated by Alkazi through the trope of a ‘ghost’ exhibition. Following Parul Dave Mukherji’s revealing interview with eminent artist and Alkazi’s long-standing friend, K.G. Subramanyam, in conclusion, Partha Mitter refl ects on the latter’s role as an art patron.

Hardcover